|Studio album by Led Zeppelin|
|Released||24 February 1975|
|Recorded||July and December 1970, March 1971, May 1972, January–February 1974 at multiple locations1|
|Genre||Hard rock, heavy metal, blues rock|
|Led Zeppelin chronology|
|Singles from Physical Graffiti|
Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin, released on 24 February 1975 as a double album. Recording sessions for the album were initially disrupted when bassist/keyboardist John Paul Jones considered leaving the band. After reuniting at Headley Grange, the band wrote and recorded eight songs, the combined length of which stretched the album beyond the typical length of an LP. This prompted the band to make Physical Graffiti a double album by including previously unreleased tracks from earlier recording sessions.
Physical Graffiti was commercially and critically successful; the album went 16x platinum (though this signifies shipping of eight million copies, as it is a double album) in the US alone.2
The recording sessions for Physical Graffiti initially took place in November 1973 at Headley Grange in East Hampshire, England. For these recordings, the band used Ronnie Lane's Mobile Studio. However, these sessions came to a halt quickly and the studio time was turned over to the band Bad Company, who used it to record songs for their eponymous debut album.3 In an interview he gave in 1975, guitarist and album producer Jimmy Page explained the reason for this abrupt cessation of recording:
"It took a long time for this album mainly because when we originally went in to record it, John Paul Jones wasn't well and we had to cancel the time... everything got messed up. It took three months to sort the situation out."4
However, according to Led Zeppelin archivist Dave Lewis:
"It later emerged that Jones had wanted to quit the band and take up a position as choirmaster at Winchester Cathedral. [Manager] Peter Grant urged caution, suggesting that Jones was overwrought from the incessant touring and should take a rest from Zeppelin for a few weeks. Jones changed his mind and sessions resumed at Headley Grange after the Christmas holidays."3
Once they had reconvened, the band recorded eight tracks at Headley Grange in January and February 1974, which were engineered by Ron Nevison. Lead singer Robert Plant later referred to these eight tracks as "the belters":
"We got eight tracks off... and a lot of them were really raunchy. We did some real belters with live vocals, off-the-wall stuff that turned out really nice."3
Similar to the sessions for the previous two albums, the decision to record at the informal surroundings of Headley Grange provided a welcome opportunity for the band to improvise and develop material along the way.3 As Plant commented:
"Some of the tracks we assembled in our own fashioned way of running through a track and realising before we knew it that we had stumbled on something completely different."3
Because the eight tracks extended beyond the length of a conventional album, it was decided to include several unreleased songs which had been recorded during the sessions for previous Led Zeppelin albums. The instrumental "Bron-Yr-Aur" was recorded in July 1970 at Island Studios, London, for Led Zeppelin III. It was named after Bron-Yr-Aur, a cottage in Gwynedd, Wales where Jimmy Page and Robert Plant spent time writing and recording for Led Zeppelin III. "Night Flight" and "Boogie with Stu" were recorded at Headley Grange and "Down by the Seaside" at Island Studios, all for Led Zeppelin IV. "The Rover" and "Black Country Woman" were recorded at the same sessions as "D'yer Mak'er", which were at Stargroves using the Rolling Stones Mobile Studio in May 1972. "Houses of the Holy" was also recorded in May 1972, but at Olympic Studios. The group's fifth album, Houses of the Holy, took its title from this song despite the decision not to include the song on that album. Page explained:
"We had more material than the required 40-odd minutes for one album. We had enough material for one and a half LPs, so we figured let's put out a double and use some of the material we had done previously but never released. It seemed like a good time to do that sort of thing, release tracks like "Boogie With Stu" which we normally wouldn't be able to do... [T]his time we figured it was better to stretch out than to leave off."5
According to engineer Nevison, the decision to expand the album to include songs from previous sessions was not part of the original planning:
I never knew that Physical Graffiti was going to be a double album. When we started out we were just cutting tracks for a new record. I left the project before they started pulling in songs from Houses of the Holy and getting them up to scratch. So I didn't know it was a double [album] until it came out.6
Additional overdubs were laid down and the final mixing of the album was performed in October 1974 by Keith Harwood at Olympic Studios, London. The title "Physical Graffiti" was coined by Page to illustrate the whole physical and written energy that had gone into producing the set.3
In the opinion of Lewis, Physical Graffiti:
was a massive outpouring of [Led] Zeppelin music that proved to be the definitive summary of their studio work... Given the luxury of a double format, Physical Graffiti mirrors every facet of the Zeppelin repertoire. The end result is a finely balanced embarrassment of riches.3
Spanning several years of recording, the album featured forays into a range of musical styles, including hard rock ("Custard Pie", "The Rover", "The Wanton Song", "Night Flight", "Sick Again", "Houses of the Holy"), eastern-influenced orchestral rock ("Kashmir"), progressive rock ("In the Light"), driving funk ("Trampled Under Foot"), acoustic rock and roll ("Boogie with Stu", "Black Country Woman"), love ballad ("Ten Years Gone"), blues rock ("In My Time of Dying"), soft rock ("Down by the Seaside"), and acoustic guitar instrumental (" Bron-Yr-Aur").378 The wide range of Physical Graffiti is also underlined by the fact that it contains both the longest and shortest studio recordings by Led Zeppelin. "In My Time of Dying" clocks in at eleven minutes and five seconds, and "Bron-Yr-Aur" is two minutes and six seconds. With the exception of "The Battle of Evermore" on their fourth album, it is also the only Led Zeppelin album to feature John Paul Jones playing additional guitar on some tracks.
Several tracks off the album became live staples at Led Zeppelin concerts. In particular, "In My Time of Dying", "Trampled Under Foot", "Kashmir", "Ten Years Gone", and "Sick Again" became regular components of the band's live concert set lists following the release of the album.3
According to Robert Plant, of all the albums Led Zeppelin released, Physical Graffiti represented the band at its most creative and most expressive.9 He has commented that it is his favourite Led Zeppelin album. Similarly, guitarist Jimmy Page considers this album to be a "high watermark" for Led Zeppelin.10
The album's sleeve design features a photograph of a New York City tenement block, with interchanging window illustrations. The album designer, Peter Corriston, was looking for a building that was symmetrical with interesting details, that was not obstructed by other objects and would fit the square album cover. He said:
We walked around the city for a few weeks looking for the right building. I had come up [with] a concept for the band based on the tenement, people living there and moving in and out. The original album featured the building with the windows cut out on the cover and various sleeves that could be placed under the cover, filling the windows with the album title, track information or liner notes.11
The two five-story buildings photographed for the album cover are located at 96 and 98 St. Mark's Place in New York City.1213 The original photograph underwent a number of tweaks to arrive at the final image. The fifth floor of the building had to be cropped out to fit the square album cover format.11 The buildings to the left and right were also changed to match the style of the double front. Tiles were added on the roof section along with more faces. Part of the top right railing balcony was left out for a whole window frame to be visible. The front cover is a daytime shot, while the back cover (above) was taken at night.
Mike Doud is listed as the cover artist on the inner sleeve, and either the concept or design or both were his. He passed away in the early 1990s, and this album design was one of his crowning achievements in a lifetime of design. In 1976 the album was nominated for a Grammy Award in the category of best album package. (Doud would later win a Grammy for best album cover of the year in 1980, for Supertramp's Breakfast in America).
The buildings on the album cover were the same ones that Keith Richards and Mick Jagger were filmed in front of in The Rolling Stones music video "Waiting on a Friend".14 There was a used clothing store in the basement of 96 St. Mark's Place called Physical Graffiti. There is currently a shop called Physical Graffitea. The building has been profiled on the television show, Rock Junket.15
The original album jacket for the LP album included four covers made up of two inners (for each disc), a middle insert cover and an outer cover. The inner covers depict various objects and people (including photos of Plant and Richard Cole in drag)3 on each window. The middle insert cover is white and details all the album track listings and recording information. The outer cover has die-cut windows on the building, so when the middle cover is wrapped around the inner covers and slid into the outer cover, the title of the album is shown on the front cover, spelling out the name "Physical Graffiti".
|Rolling Stone||Very favourable21|
|The Rolling Stone Album Guide||22|
The album was released on 24 February 1975, at a time when Led Zeppelin were undertaking their tenth concert tour of North America. Delays in the production of the album's sleeve design prevented its release prior to the commencement of the tour.23
Physical Graffiti was the band's first release on their own Swan Song Records label, which had been launched in May 1974. Until this point, all of Led Zeppelin's albums had been released on Atlantic Records. The album was a commercial and critical success, having built up a huge advance order, and when eventually released it reached No. 1 on Billboard's Pop Albums chart. It has since proven to be one of the most popular releases by the group, shipping 8 million copies in the United States alone (which has made it 16 times platinum as it is a double album).2 Physical Graffiti was the first album to go platinum on advance orders alone.24 Shortly after its release, all previous Led Zeppelin albums simultaneously re-entered the top-200 album chart.25
Billboard magazine's 5 star review of the album stated: "Physical Graffiti is a tour de force through a number of musical styles, from straight rock to blues to folky acoustic to orchestral sounds."26 Similarly, Jim Miller stated in Rolling Stone that the double album was "the band's Tommy, Beggar's Banquet and Sgt. Pepper rolled into one: Physical Graffiti is Led Zeppelin's bid for artistic respectability."21
In 1998 Q readers voted Physical Graffiti the 28th-greatest album of all time; in 2000 Q placed it at number 32 in its list of the 100 Greatest British Albums Ever; and in 2001 the same magazine named it as one of the 50 Heaviest Albums of All Time. In 2003, the TV network VH1 named it the 71st-greatest album ever. In 2003, the album was ranked number 70 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time". The album is also listed in Robert Dimery and Stevie Chick's 1001 Albums You Must Hear Before You Die (2005).
|Grammy Award||USA||"Grammy Award for Best Recording Package"27||1976||Nominee|
|Rolling Stone||USA||The Rolling Stone 500 Greatest Albums of All Time28||2003||70|
|Pitchfork Media||USA||"Top 100 Albums of the 1970s"29||2004||95|
|Mojo||UK||"The 100 Greatest Albums Ever Made"30||1996||47|
|Classic Rock||UK||"100 Greatest Rock Album Ever"31||2001||5|
|Q||UK||"100 Greatest Albums Ever"32||2003||41|
|Record Collector||UK||"Classic Albums from 21 Genres for the 21st century"33||2005||*|
|Robert Dimery||USA||1001 Albums You Must Hear Before You Die34||2005||*|
|Q||UK||"100 Best Albums Ever"35||2006||57|
|Classic Rock||UK||"100 Greatest British Rock Album Ever"36||2006||7|
|Rock and Roll Hall of Fame||USA||"The Definitive 200: Top 200 Albums of All-Time"37||2007||93|
|Guitar World||USA||"Reader's Poll: 100 Greatest Guitar Albums"38||2006||9|
(*) designates unordered lists.
|1.||"Custard Pie"||January–February 1974||4:13|
|2.||"The Rover"||May 1972||5:37|
|3.||"In My Time of Dying" (John Bonham, John Paul Jones, Page, and Plant)||January–February 1974||11:04|
|4.||"Houses of the Holy"||May 1972||4:02|
|5.||"Trampled Under Foot" (Jones, Page, and Plant)||January–February 1974||5:37|
|6.||"Kashmir" (Bonham, Page, and Plant)||January–February 1974||8:32|
|7.||"In the Light" (Jones, Page, and Plant)||January–February 1974||8:46|
|8.||"Bron-Yr-Aur" (Page)||July 1970||2:06|
|9.||"Down by the Seaside"||February 1971||5:13|
|10.||"Ten Years Gone"||January–February 1974||6:32|
|11.||"Night Flight" (Jones, Page, and Plant)||December 1970 – January 1971||3:36|
|12.||"The Wanton Song"||January–February 1974||4:10|
|13.||"Boogie with Stu" (Bonham, Jones, Page, Plant, Ian Stewart, and Mrs. Valens)||December 1970 – January 1971||3:53|
|14.||"Black Country Woman"||May 1972||4:24|
|15.||"Sick Again"||January–February 1974||4:42|
- Some cassette and 8-track versions of the album place "Bron-Yr-Aur" immediately after "Kashmir"
- The running times listed for "Kashmir" and "Ten Years Gone" on original LP pressings, (and some compact disc versions), of the album were significantly in error; "Kashmir" was listed at 9:41, "Ten Years Gone" at 6:55.
- "Boogie with Stu" is credited to "Mrs. Valens, mother of Ritchie Valens". The credit came about after the band had heard Valens' mother never received any royalties from any of her son's hits.39
|Chart (1975)||Peak Position|
|Japanese Albums Chart40||13|
|UK Albums Chart41||1|
|US Billboard The 200 Albums Chart42||1|
|US Cash Box Top 100 Albums Chart43||1|
|US Record World Top Pop Albums Chart44||1|
|Canadian RPM Albums Chart45||1|
|Norwegian Albums Chart46||4|
|Austrian Albums Chart47||2|
|Australian Kent Music Report Albums Chart||2|
|New Zealand Top 50 Albums Chart48||3|
|German Albums Chart49||17|
|Spanish Albums Chart50||2|
|French Albums Chart51||2|
|1975||"Trampled Under Foot"||Billboard Pop Singles (Billboard Hot 100)||38citation needed|
|United Kingdom (BPI)55||2× Platinum||600,000^|
|United States (RIAA)2||16× Platinum||8,000,000^|
*sales figures based on certification alone
- Led Zeppelin
- John Bonham – drums, percussion
- John Paul Jones – bass guitar, organ, acoustic and electric piano, mellotron, guitar, mandolin, VCS3 synthesiser, Hohner clavinet, Hammond organ, string arrangement
- Jimmy Page – electric, acoustic, lap steel and slide guitar, mandolin, production
- Robert Plant – lead vocals, harmonica, acoustic guitar on "Boogie with Stu"
- Additional personnel
- George Chkiantz – engineering
- Peter Corriston – artwork, design, cover design
- Barry Diament – mastering (original CD release)
- Mike Doud – artwork, design, cover design
- Elliot Erwitt – photography
- B. P. Fallon – photography
- Peter Grant – producer, executive producer
- Roy Harper – photography
- Keith Harwood – engineering, mixing
- Dave Heffernan – illustrations
- Andy Johns – engineering
- Eddie Kramer – engineering, mixing
- George Marino – remastered CD release
- Ron Nevison – engineering
- Ian Stewart – piano on "Boogie with Stu"
- "Physical Graffiti album information at led-zeppelin.org". Retrieved 25 October 2008.
- "American album certifications – Led Zeppelin – Physical Graffiti". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
- Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9
- Crowe, Cameron. "The Durable Led Zeppelin" Rolling Stone 13 March 1975
- Dave Schulps, Interview with Jimmy Page, Trouser Press, October 1977.
- "Their Time is Gonna Come", Classic Rock Magazine, December 2007
- Review at Allmusic
- Rolling Stone Review, Mar, 27 1975dead link
- Allan Jones, "Robert Plant: ‘We did what we set out to do...’", Uncut Magazine, May 2008, pp. 38–43.
- Nigel Williamson, "Forget the Myths", Uncut, May 2005, p. 72.
- BOLAND Jr, ED (8 September 2002). "F.Y.I.". The New York Times. Retrieved 15 March 2008.
- "NYC Album Art: Physical Graffiti". gothamist.com. Retrieved 15 March 2008.
- "Google Maps: From LudLow St. New York NY to Rivington St". Google. Retrieved 15 March 2008.
- "Rolling Stones: Waiting On A Friend (Video 1981)". aquariumdrunkard.com. Retrieved 15 March 2008.
- "See The Physical Graffiti Building". Youtube. 1 May 2004. Retrieved 26 September 2011.
- Allmusic Review
- BBC Reviewdead link
- "Billboard Review". Superseventies.com. Retrieved 1 January 2012.
- Blender Reviewdead link
- "Robert Christgau Review". Robertchristgau.com. 15 June 1972. Retrieved 1 January 2012.
- By Jim Miller (27 March 1975). "Rolling Stone Review". Rolling Stone. Retrieved 1 January 2012.
- "Led Zeppelin: Album Guide | Rolling Stone Music". Rollingstone.com. 2007-12-10. Retrieved 2012-03-05.
- Chris Welch (1994) Led Zeppelin, London: Orion Books. ISBN 1-85797-930-3, p. 73.
- "Record Collector: Physical Graffiti – an album under review". Record Collector. Retrieved 12 February 2009.
- Ruhlmann, William (2004). Breaking Records: 100 Years of Hits (1st ed.). London: Routledge Falmer. p. 165. ISBN 0-415-94305-1.
- Fishel, Jim (March 1975). "Review: Physical Graffiti". Billboard 29: 89.
- "Grammy Award for Best Album Package (AGI) – 28 February 1976". Grammy. Retrieved 10 February 2009.
- dead link
- "Staff Lists: Top 100 Albums of the 1970s". Pitchfork. 23 June 2004. Retrieved 9 August 2011.
- "The 100 Greatest Albums Ever Made – January 1996". Mojo. Retrieved 10 February 2009.
- "Classic Rock – 100 Greatest Rock Album Ever – December 2001". Classic Rock. Retrieved 10 February 2009.
- 2003 "100 Greatest Albums Ever – January 2003". Q. Retrieved 10 February 2009.
- "Classic Albums from 21 Genres for the 21st century: Seventies: From Singer-Songwriter Angst to Glam and the Disco Age – January 2005". Record Collector. Retrieved 10 February 2009.
- Dimery, Robert – 1001 Albums You Must Hear Before You Die; page 856
- "Best Albums Ever – February 2006". Q. Retrieved 10 February 2009.
- "Classic Rock – 100 Greatest British Rock Album Ever – April 2006". Classic Rock. Retrieved 10 February 2009.
- "The Definitive 200: Top 200 Albums of All-Time". Rock and Roll Hall of Fame (USA). Retrieved 10 February 2009.
- "100 Greatest Guitar Albums". Guitar World. October 2006. A copy can be found at "Guitar World's 100 Greatest Guitar Albums Of All Time – Rate Your Music". rateyourmusic.com. Retrieved 12 October 2011.
- Lewis, Dave (2003). Led Zeppelin: The 'Tight but Loose' Files: Celebration II (1st ed.). London: Omnibus Press. p. 21. ISBN 1-84449-056-4.
- "Top 100 Albums – 20 February 1975". Oricon. Retrieved 19 January 2009.
- "Top 100 Albums – 15 March 1975". chartstats.com. Retrieved 19 January 2009.
- "The Billboard 200 – 22 March 1975". Billboard. Retrieved 19 January 2009.dead link
- "Top 100 Albums – 22 March 1975". Cash Box. Retrieved 19 January 2009.dead link
- http://www.geocities.com/muggy59/RWPOPLPS1975THRU1979.htmldead link "Top Pop Albums – 22 March 1975"]. Record World. Retrieved 19 January 2009.dead link
- "Top Albums/CDs – Volume 23, No. 7, April 12, 1975". RPM. Retrieved 19 January 2009.
- "Top 20 Albums – 13 April 1975". norwegiancharts.com. Retrieved 19 January 2009.
- "Top 75 Albums – 15 April 1975". austriancharts.at. Retrieved 19 January 2009.
- Scapolo, Dean (2007). "Top 50 Albums – April 1975". The Complete New Zealand Music Charts (1st ed.). Wellington: Transpress. ISBN 978-1-877443-00-8.
- "Top 100 Albums – April 1975". charts-surfer.de. Retrieved 19 January 2009.dead link
- "Top 100 Albums – 9 August 1975". PROMUSICAE. Retrieved 19 January 2009.
- "Top 100 Albums – 1975". infodisc.fr. Retrieved 19 January 2009.
- "Argentinian album certifications – Led Zeppelin – Physical Graffiti". Argentine Chamber of Phonograms and Videograms Producers.
- "French album certifications – LedZeppelin – Physical Graffiti" (in French). InfoDisc. Select LEDZEPPELIN and click OK
- "Gold-/Platin-Datenbank (Led Zeppelin; 'Physical Graffiti')" (in German). Bundesverband Musikindustrie.
- "British album certifications – Led Zeppelin – Physical Graffiti". British Phonographic Industry. Enter Physical Graffiti in the field Search. Select Title in the field Search by. Select album in the field By Format. Click Go
On the Level by Status Quo
|UK Albums Chart number-one album
15–22 March 1975
20 Greatest Hits by Tom Jones
Have You Never Been Mellow by Olivia Newton-John
|Billboard 200 number-one album
22 March – 2 May 1975
Chicago VIII by Chicago
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